- TIMEFACTORY 2 FOR WINDOWS 8 SOFTWARE
- TIMEFACTORY 2 FOR WINDOWS 8 PC
- TIMEFACTORY 2 FOR WINDOWS 8 PLUS
- TIMEFACTORY 2 FOR WINDOWS 8 MAC
It's very simple software, with a utilitarian but clear and comprehensible appearance centered around a list of samples to be processed. The single processing window of Time Factory is where the few parameters needed for the program to do its work are set.
TIMEFACTORY 2 FOR WINDOWS 8 SOFTWARE
Also, it's a shame that only four sample rates are accepted: we have audio files with many different sample rates and it would have been more convenient if the software automatically converted incoming audio instead of refusing it whenever it doesn't have the 'right' sample rate.
TIMEFACTORY 2 FOR WINDOWS 8 MAC
Perhaps it's a bug, but we were unable to load WAV files into the Mac version we tested. Additionally, an 'Open Multiple Files' option allows you to keep loading files without having to constantly call up the file selector. In the last case the two must be of the same length and type.
Both mono and stereo audio, including non‑interleaved stereo files presented as two separate mono files, can be opened.
TIMEFACTORY 2 FOR WINDOWS 8 PLUS
It loads AIFF and WAV files, plus SDII files in the Mac version only, at bit depths of 8, 16 and 24 and sample rates of 22.05, 44.1, 48 and 96kHz. The left‑hand button beneath these boxes allows formants to remain independent of any shift in pitch, while the remaining button accesses a special facility for quickly doubling the duration of the audio file.Īfter installation and authorisation of Time Factory (see 'The Protection Racket' box), you can bring an audio file into the software for processing. Prosoniq have kept the controls for processing each entry in the Time Factory main window to a minimum: three input boxes show how much the audio will be shifted (in semitones and cents) or stretched. The reward for hanging about while your loops are cooked is a price of around £450 which, though not cheap, should be within reach of most halfway‑serious computer‑based musicians.
TIMEFACTORY 2 FOR WINDOWS 8 PC
If you have more time than money, though, some of what the VP can do is available from affordable software which can similarly process your audio while you wait - or, perhaps, while you go away and make a cup of tea! Prosoniq's Time Factory, available in PC and Mac versions, not only performs high‑quality pitch‑shifting and time‑stretching, but also, like the VP, controls formants to produce more realistic results. The VP's £2300 cost won't make its power accessible to everyone who could make use of it. However, such immediacy and flexibility comes at a price. The Roland VP9000, reviewed in last month's SOS, arguably shows the way this technology is going, allowing radical modification of what were once the fixed constants of audio - including the formant frequencies which give a sound its identity - easily and in real time. Even musicians who don't use them to create overtly artificial effects employ pitch and time manipulation in a corrective fashion, or to make the disparate rhythm and instrumental loops that form a part of so many modern recordings work as though they were meant to be together. Pitch‑shifting and time‑stretching have become the common currency of contemporary technology‑based music. Derek Johnson and Debbie Poyser do just that, with Prosoniq's Time Factory. Many musicians will therefore continue to rely on off‑line processes to carry out pitch and timing manipulations. Though high‑quality, real‑time pitch‑shifting is now becoming a reality, this technology comes with a high price tag.
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